Jonathan Glazer’s historical film “The Zone of Interest” appears as a clear snapshot of the family life of mass murderer Rudolf Höss from 1943. That year, as the commandant of the Auschwitz concentration camp, Höss lived with his wife and children right next to the camp wall, in a home the perfectly suited National Socialist family ideals. It was an eerie “paradise” that fed on the misery of its victims and created a particularly infamous category of evil: the self-interest of brutal indifference.
Continue reading “THE ZONE OF INTEREST When the “Perfect Family” Found its Ideal Home at the Heart of Hell”Category: Art and Culture
FIREBRAND The Overwhelming Physical Side of Gender Inequality in the Historical Film Drama of Karim Aïnouz
Inspired by Elizabeth Freemantle’s novel “Queen’s Gambit,” the Brazilian director Karim Aïnouz presents with the historical drama film “Firebrand” a closer view of Catherine Parr as the sixth and last wife of King Henry VIII. Despite of her marked sense of duty, intellectual prowess, and a solid ethical backbone, Catherine Parr remains in “Firebrand” vulnerable, yet manages to overcome the most substantial aspect of gender disparity at last: physical strength.
Continue reading “FIREBRAND The Overwhelming Physical Side of Gender Inequality in the Historical Film Drama of Karim Aïnouz”KILLERS OF THE FLOWER MOON Preachers of Death, Greedy Fools, and America’s Vast Native Soul in Martin Scorsese’s Epic Masterpiece
Martin Scorsese’s “Killers of the Flower Moon,” inspired by David Grann’s homonymous nonfiction book, shows a complexity that goes beyond the representation of the assassinations of hundreds of Osage people, robbed of their oil-rich land a hundred years ago. Bringing together three paradigmatic figures of American history, Scorsese’s film reveals the power dynamics among preachers of death, greedy fools, and native people, in a world in which legality is used as a vehicle of crime.
Continue reading “KILLERS OF THE FLOWER MOON Preachers of Death, Greedy Fools, and America’s Vast Native Soul in Martin Scorsese’s Epic Masterpiece”EMPIRE OF SIGNS Understanding Japan as a Graspable System of Forms with Roland Barthes
Alluding to the seemingly unsurmountable oppositions of “East” and “West,” Roland Barthes presented in “Empire of Signs” an approach for overcoming strangeness with the same quality that fuels it: difference. More than fifty years ago, in an essay that regains importance in our increasingly globalized world, Barthes moved beyond the language of words, revealing the unlimited possibilities of the language of signs for (trans)cultural awareness.
Continue reading “EMPIRE OF SIGNS Understanding Japan as a Graspable System of Forms with Roland Barthes”A WOMAN’S STORY Annie Ernaux and the Discovery of Identity through Family and Social Memory
A literary work that consciously embeds individual remembrance into collective memory, Annie Ernaux’s “A Woman’s Story” bears witness to the pain that the loss of the mother inflicts on a daughter and the deep desire for finding her truth that this feeling triggers. Consolidating both pain and desire in a meticulous search for the own identity through memory, Ernaux translates nostalgia into reality with the historical power of the written word.
Continue reading “A WOMAN’S STORY Annie Ernaux and the Discovery of Identity through Family and Social Memory”SENSE AND SENSIBILITY Jane Austen’s Life Lesson on Self-Reflection and Empathy
Sense and sensibility, seemingly opposite character traits at the core of Jane Austen’s homonymous novel, emerge as essentially interconnected human virtues paving the path for the understanding the self and the world. Subtly concealed behind the love and marriage theme, the actual interplay of (senseful) self-reflection and (sensitive) empathy in the formation of character is vehemently conveyed by a female author that continues reminding us of the everlasting power of self-awareness today.
Continue reading “SENSE AND SENSIBILITY Jane Austen’s Life Lesson on Self-Reflection and Empathy”A ROOM OF ONE’S OWN Virginia Woolf on Being a Creative Woman in a Man’s World
Asked on her opinion on the issue of “woman and fiction” almost a hundred years ago, Virginia Woolf could not avoid thinking of money and power, first and foremost. Arguing that only material conditions enable the freedom of mind so essential to creativity, Woolf exposed in “A Room of One’s Own” the limited access of women to financial means for centuries and the challenges this privation posed to their creation of high-quality fiction.
Continue reading “A ROOM OF ONE’S OWN Virginia Woolf on Being a Creative Woman in a Man’s World”ALL QUIET ON THE WESTERN FRONT Innocence, Youth, and Friendship Crushed by the Brutality of World War I
Edward Berger’s Oscar winning film adaption of Erich Maria Remarque’s novel “All Quiet on the Western Front,” tells us about the downfall of the German “iron youth” deluded into war by twisted dreams of victory. Unfolding as a mosaic of beauty and monstrosity, the film makes the war’s mail toll clear: the final dissolution of the individual.
Continue reading “ALL QUIET ON THE WESTERN FRONT Innocence, Youth, and Friendship Crushed by the Brutality of World War I”HOMO SOVIETICUS On the Actuality of Svetlana Alexievich’s “Secondhand Time. The Last of the Soviets”
Ten years ago, Svetlana Alexievich’s “Seconhand Time. The Last of the Soviets” came into being. In twenty stories, collected between 1991 and 2012, people from the former Soviet Union reflect on their lives before and after perestroika. Their survival in a world of perennial authoritarianism is a central theme with fatal consequences in the current context.
Continue reading “HOMO SOVIETICUS On the Actuality of Svetlana Alexievich’s “Secondhand Time. The Last of the Soviets””PARADISE Abdulrazak Gurnah’s East African World of Dreams, Nightmares, and Rude Awakenings
The winner of the Nobel Prize in literature 2021 takes with his novel “Paradise” to a highly stratified East African society at the turn of the twentieth century. Against the backdrop of an increasingly pervasive European domination amidst a breathtaking landscape, a boy’s transition into adulthood is shaped by the increasing awareness of being a stranger in his own country.
Continue reading “PARADISE Abdulrazak Gurnah’s East African World of Dreams, Nightmares, and Rude Awakenings”THE STRUGGLE OF A NEW START No Home, no Family, no Name Anymore, but the Future Waited
The concerns of Holocaust survivors identified as “displaced persons” after World War II is the central topic of “Our Courage. Jews in Europe 1945-1948” at the Jewish Museum Frankfurt. For many of them, the recovery of the home, the family, and even the own identity meant a fight against unsurmountable challenges; it was a “rebirth” into a world that was not always welcoming.
Continue reading “THE STRUGGLE OF A NEW START No Home, no Family, no Name Anymore, but the Future Waited”