Edward Berger’s Oscar nominated film adaption (2022) of Erich Maria Remarque’s novel Im Westen Nichts Neues (1929), tell us about the downfall of the German “iron youth” deluded into war by twisted dreams of victory. With a storytelling contrasting illusion and reality, innocence and deception, joy and misery, humanity and brutality, a mosaic of beauty and monstrosity arises, making the war’s main toll clear: the final dissolution of the individual.
Ten years ago, Svetlana Alexievich’s “Secondhand Time. The Last of the Soviets” came into being. In twenty stories, collected between 1991 and 2012, the author releases usually unheard voices of people from the former Soviet Union, reflecting on their own lives before and after perestroika. The question of how the regime managed to remodel its subjects into creatures of a perennial authoritarianism, infuses this work with urgent actuality in the current context.
The winner of the Nobel Prize in Literature 2021 takes us with his novel Paradise (1994) to a highly stratified East African society at the turn of the twentieth century. Against the backdrop of an increasingly pervasive European domination and surrounded by a breathtaking incommensurable landscape, a boy’s transition into adulthood is determined by complex power relations and the increasing awareness of being a stranger in his own country.
Seductively fateful: A short read of Ana Karenina explains with great simplicity the quintessential notion of true style. Fashion, particularly the color black, plays the main role in this revelation.